Ad spots and product video
For a launch, a sale or a campaign.
- Concept to finished spot
- Cutdowns for social
- Original score included
Launch spots, sale ads and product videos that show your product at its best and get people to buy it. Music software is my home turf, but the method works for any product that has to look exact.
Thirty years, three chairs: director, creative director, composer.
Realitone, Nightfall Halloween sale ads
Toyota Europe, Sprint Business, Ready Player One, National Geographic, Yamaha, Manolo Blahnik
Hollywood Music in Media Award for Best Score for a Commercial Advertisement. Two CEBA Awards as a creative director.
Hire me to make the spot, to add motion to what you already have, or to set your team up to make it themselves. AI fails a lot. I budget for that, so you never see it.
For a launch, a sale or a campaign.
For product demos, sale offers and explainers.
For teams making their own video with AI.
Realitone, October 2026
Eight presets in 53 seconds. Each preset gets its name and layers called out as its notes light up the keyboard, then the offer lands: Nightfall $99, lowest price ever.
Realitone's testing showed that hearing the instrument sells it. So the spot is the instrument playing, with a CGI keyboard and falling stars for the Halloween theme.
I delivered three designs, each recomposed for 16:9, 1:1 and 9:16 rather than cropped, with its own mastered mix. The Stars design you see here is the first to run in Realitone's Halloween campaign.
What it shows: the real product and its real interface, with a sale message that reads in two seconds on any screen.






Spec work, advertising reel, September 2026
One is straight CGI with no AI anywhere in it. The others mix gen AI, 3D layout and motion graphics. All four have original score.
What it shows: I pick the method each shot needs, and your product stays exact.
Spec ad for Realitone
A keeper restores the light before a ship hits the rocks, and her playing is the light.
What it shows: a story people watch to the end, with every note on screen matching the music.
Read the case study
AI short film
A 5:32 photoreal short. 162 shots, seven voice actors, three locations and no camera.
What it shows: characters and locations that stay consistent over a long piece, with real actors' voices in sync.
Read the case study
Animated music video
A repeatable pipeline for animated music videos. Character sheets get locked before a single frame is generated.
What it shows: a house style that holds across hundreds of shots and a whole series.
Read the case studySpots turned around in as little as 72 hours.
I'm Don Bodin. Thirty years in advertising as a designer, art director, creative director and composer, and since 2016 a publisher selling ad space to musicians. I direct every piece from idea to final cut. The picture comes from Seedance, Kling and Higgsfield, or from Blender and After Effects when the product has to be exact. AI fails a lot. I budget for that, so you never see it.
The other hats:
I started as a designer and art director on national brand campaigns for agencies in Chicago and Los Angeles, then became Creative Director at Reed Business, where I earned two CEBA Awards for Creative Excellence in Business Advertising. Sell one idea. Show the product. Respect the first three seconds.
Thirteen years composing for campaigns: Toyota Europe, Sprint Business, the promotional campaign for Ready Player One, National Geographic, Yamaha and Manolo Blahnik. One of those scores won the Hollywood Music in Media Award. Your spot can arrive with music written for it.
Photographer and digital technician on more than thirty international shoots, with images ending up on Times Square billboards, magazine covers and automotive brochures. I know what a real product shoot looks like, which is how I know when a generated one is wrong.
I run Sample Library Review and host the Deal Compressor Show, which has gone out every week since 2016. I sell the ad space, so I know what gets clicked and what gets scrolled past.
Tell me the product, the date and the length you need. I'll come back with a concept and a quote.
Or write to me directly at don@donbodin.com, or find me on LinkedIn.