Ad spots. Built for clicks. With a big‑budget look.

Launch spots, sale ads and product videos that show your product at its best and get people to buy it. Music software is my home turf, but the method works for any product that has to look exact.

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Now playing: Realitone client work plus spec spots

Thirty years, three chairs: director, creative director, composer.

Client work

Realitone, Nightfall Halloween sale ads

Campaigns I've scored

Toyota Europe, Sprint Business, Ready Player One, National Geographic, Yamaha, Manolo Blahnik

Recognition

Hollywood Music in Media Award for Best Score for a Commercial Advertisement. Two CEBA Awards as a creative director.

01 — Services

Three ways to work with me

Hire me to make the spot, to add motion to what you already have, or to set your team up to make it themselves. AI fails a lot. I budget for that, so you never see it.

Ad spots and product video

For a launch, a sale or a campaign.

  • Concept to finished spot
  • Cutdowns for social
  • Original score included

Motion graphics

For product demos, sale offers and explainers.

  • Product and interface animation
  • 16:9, 1:1 and 9:16 versions
  • Built so you can swap the price and date for your next sale

AI video pipeline setup

For teams making their own video with AI.

  • Characters and products that stay consistent
  • A shot system your team can run
  • Training, or I stay on as director
02 — Selected work

Selected work

Client work

Realitone, October 2026

Nightfall Halloween sale ads

Eight presets in 53 seconds. Each preset gets its name and layers called out as its notes light up the keyboard, then the offer lands: Nightfall $99, lowest price ever.

Realitone's testing showed that hearing the instrument sells it. So the spot is the instrument playing, with a CGI keyboard and falling stars for the Halloween theme.

I delivered three designs, each recomposed for 16:9, 1:1 and 9:16 rather than cropped, with its own mastered mix. The Stars design you see here is the first to run in Realitone's Halloween campaign.

What it shows: the real product and its real interface, with a sale message that reads in two seconds on any screen.

Square 1:1 version of the Nightfall ad
1:1
Vertical 9:16 version of the Nightfall ad
9:16
Realitone Sunset Strings interface with MIDI notes and a lit keyboard
Realitone
A pop-up opera house rising from an old music manuscript in a museum case
IK Multimedia Sinphonica
Blueprint drawing of sound reflections inside an echo chamber
Imprint reverb
Green line drawing of a singer with a waveform leaving her mouth
Auto-Tune

Spec work, advertising reel, September 2026

Four spec spots for music software

One is straight CGI with no AI anywhere in it. The others mix gen AI, 3D layout and motion graphics. All four have original score.

What it shows: I pick the method each shot needs, and your product stays exact.

How each spot was made

Also from this desk

  • Music compositionScores for advertising, film, TV and games.
  • PluginPulseThe deals tracker behind the Deal Compressor Show. It's how I keep up with every sale in this market.
  • How to Pet a CatAn interactive parody. Go easy on seven.
03 — Process

How a project runs

  1. BriefTell me the product, the date and the length you need.
  2. Concept and quoteI come back with an idea and a price before any work starts. No cost until you approve the concept.
  3. Look framesYou see stills of the key shots. Changes are cheap at this stage, so this is where we make them.
  4. ProductionShots get built, cut and scored. You review a rough cut before I finish it.
  5. DeliveryThe final spot, plus the cutdowns and formats you asked for. You own the finished spot and the score.

Spots turned around in as little as 72 hours.

Don Bodin
04 — About

The tools are new. The job isn't.

I'm Don Bodin. Thirty years in advertising as a designer, art director, creative director and composer, and since 2016 a publisher selling ad space to musicians. I direct every piece from idea to final cut. The picture comes from Seedance, Kling and Higgsfield, or from Blender and After Effects when the product has to be exact. AI fails a lot. I budget for that, so you never see it.

The other hats:

I run Sample Library Review and host the Deal Compressor Show, which has gone out every week since 2016. I sell the ad space, so I know what gets clicked and what gets scrolled past.

  • Hollywood Music in Media AwardBest Score for a Commercial Advertisement, 2013
  • Two CEBA AwardsCreative Excellence in Business Advertising
05 — Contact

Got a launch or a sale coming up?

Tell me the product, the date and the length you need. I'll come back with a concept and a quote.

Or write to me directly at don@donbodin.com, or find me on LinkedIn.

This opens your email app with the brief filled in. Nothing is sent until you press send.
Advertising reel, September 2026: four spec spots.